Leigh Whannell

Everything about the actor and screenwriter Leigh Whannell
 
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Number of posts: 12
Age: 18
Registration date: 2008-01-12

PostSubject: Biography   Sun 20 Jan - 12:51

Whannell was born in Melbourne and attended Scoresby Primary School and Brandon Park Secondary College. A writer since childhood, Whannell worked as a reporter and film critic for several Australian television shows, including ABC's Recovery hosted by Dylan Lewis. He also had a minor role in The Matrix Reloaded, as well as the video game Enter The Matrix as the character Axel.

While in film school, he met James Wan, who would eventually go on to direct the horror film Saw (co-written by Wan and Whannell) in 2004. After making a short film to showcase the intensity of the script, the film was made and became a low-budget sleeper hit in late 2004. Whannell played Adam in the film, one of the main characters. The popularity of Saw led to a sequel, Saw II, which was directed and co-written by Darren Lynn Bousman, and on which Whannell co-wrote and revised Bousman's original script, titled The Desperate. Whannell also served as an executive producer.

Around the same time, Whannell got back with James Wan and they wrote a film called Dead Silence, which Wan directed. It was slated for a 2006 release, but small problems with the title pushed the release date back to March 2007, where it was released as Dead Silence. In 2006, Whannell and Wan, wrote the story for Saw III, with Whannell writing the screenplay for the third time. It was again directed by Bousman and was released on the October 27, 2006. Whannell has a featured cameo, reprising his role as Adam. Saw III was a huge financial success and raked in $33,610,391 on its opening weekend, making around $129,927,001 worldwide (after 38 days in cinemas) and is currently the most successful Saw film to date.

Whannell's writing partner, Wan, was chosen to direct the film Death Sentence, the first feature film with their participation that they did not write themselves. Whannell has a small role as "Spink" in Death Sentence. Leigh reckons that he may have inherited his love of story telling from his mother, and his fondness of film making from his father, who worked behind the camera in the television industry. Whannell is currently "taking off my writing hat" as he stars alongside Nathan Phillips in a new film, due to release in 2008, called Dying Breed. A low budget Australian horror film which is heavily rumoured to be set in the modern day, about a small group which set out to the Tasmanian wilderness to prove that Thylacine (Tasmanian tiger) still lives but whilst there become prey as they wonder into the domain of the living descendents of the Pieman, a group of cannibals who retain their ancestors taste for human flesh.

It was confirmed in an interview with Whannell that before and during the production of Saw he had visited hospital several times reguarding his own health. "I was going through a bit of a tough time health wise and suffering anxiety," says Whannell. "The anxiety manifested itself in physical ways. I was suffering headaches everyday for nearly a year. It was serious stuff and really started affecting my life." He also stated that while in hospital he was given inspiration for the character of Jigsaw/John to have cancer. "It was weird to be 25 and sitting in a neurological ward and I'm surrounded by people who actually had brain tumours. It was very scary and it was my first proper look at mortality. I really wanted to get my health back and it really hammered it how important good health is. If you've got that, you've got everything."
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Number of posts: 11
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PostSubject: Re: Biography   Mon 28 Jun - 12:09


Here a preeminent master of narrative history takes on the most fascinating of our founders to create a benchmark for all Adams biographers. With a keen eye for telling detail and a master storyteller's instinct for human interest, McCullough (Truman; Mornings on Horseback) resurrects the great Federalist (1735-1826), revealing in particular his restrained, sometimes off-putting disposition, as well as his political guile. The events McCullough recounts are well-known, but with his astute marshaling of facts, the author surpasses previous biographers in depicting Adams's years at Harvard, his early public life in Boston and his role in the first Continental Congress, where he helped shape the philosophical basis for the Revolution. McCullough also makes vivid Adams's actions in the second Congress, during which he was the first to propose George Washington to command the new Continental Army. Later on, we see Adams bickering with Tom Paine's plan for government as suggested in Common Sense, helping push through the draft for the Declaration of Independence penned by his longtime friend and frequent rival, Thomas Jefferson, and serving as commissioner to France and envoy to the Court of St. James's. The author is likewise brilliant in portraying Adams's complex relationship with Jefferson, who ousted him from the White House in 1800 and with whom he would share a remarkable death date 26 years later: July 4, 1826, 50 years to the day after the signing of the Declaration. (June) Forecast: Joseph Ellis has shown us the Founding Fathers can be bestsellers, and S&S knows it has a winner: first printing is 350,000 copies, and McCullough will go on a 15-city tour; both Book-of-the-Month Club and the History Book Club have taken this book as a selection.

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